Detectiveland

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Most Helpful Member Reviews

It doesn't take a gumshoe to figure out this one's a gem, October 2, 2016
A great cover tells you just what sort of noirish period piece to expect, and the gameplay presentation is absolutely top notch, with a deliciously atmospheric typewriter setup that fits the theme perfectly without being distracting. There are even vintage character portraits. This is one of the slickest and most professional looking presentations I've seen for an IFComp game so far.

Play-wise, it's a puzzle adventure, but rather than typing into a parser, you're given a few options to click on depending on context. I've seen Quest games do this sort of thing before, and it makes the game feel a little like one of the 90s' era adventures like Day of the Tentacle or the Monkey Island series. The positive of this approach is that you don't have to worry about syntax; the negative is that it's harder to come up with a surprising solution to a puzzle, since all the options are presented to you right off (the 'just try everything with everything' problem.) Detectiveland manages to pull off some neat tricks here, though--in particular, the last puzzle of the case I played, "The Big Pickle", hit right in the sweet spot for me, not too baffling but clever enough that I felt smart when I realized the solution.

Witty, stylish, and lots of fun--highly recommended!

A little Tex Murphy, a little Sam & Max, June 30, 2019
I've always been a sucker for hardboiled detective stories, especially when they are self-aware. Detectiveland is a straight send up of the genre written in a Twine-like parser that only requires navigation of hyperlinks (including an extensive inventory). Everything is here: the embittered detective, sleazy law enforcement, speakeasies, powerful dames, and cheesy dialogue. The graphics and music also fit the mood, though I turned off the music after a while due to its repetition. The fourth wall is frequently broken and I smirked a good dozen times while playing. I also appreciate that the narrator has more modern sensibilities when it comes to feminism and race issues.

The puzzles are not bad considering the format; even though it's easy, one can't just mindlessly click through the game. I especially enjoyed the one in the Italian restaurant. And while the game can't be made unwinnable, what most would consider to be the best ending (out of three) does require extra foresight and can be put out of reach if you're careless.

I wanted to like this even more than I did. Every aspect is above-average and well-polished. While it was neither funny enough nor dramatic enough to be among my favorites, I would recommend it to anyone who likes the genre.

Great fun, January 6, 2017
Disclaimer: Hi, this are the reviews I did in the the IFComp 2016. I’m Ruber Eaglenest. Co-author of The skyscraper and the scar, and entry of that year. The review is posted without edition, and need some context about how I reviewed and rated the games. So, apart of my bad English I hope to be constructive. I will point to the things I don't like of the game, but I hope to be helpful. The structure I follow is this: Title, one line review, two to five word; Mobile friendliness, overall, score phrased based on IF comp guidelines. I had back ache and so that’s why I played most games in Android mobile, I looked closely at how games behave on mobile and review and vote based on that.

Mobile friendly: almost there, it just needs autosave, some optimisations on intelligent focus when hitting a button (that it gets you the proper section by context), and some bug fixes. The sounds breaks in android mobile. I miss a more large buttons, or an option to size them up. However it was pleasant to play and very funny.

Overall: I love the world model. I LOVE UI design. I love the style. I love the implementation. I know Robin is very proud of his landscape design for the game, but It works better for me in portrait, in mobile. It just need a further iteration in the UI to be just a perfect responsive IF system. And in landscape my eye jump too much from the left panel to the right panel, so I prefer to resize the window on desktop. Again, for me, portrait with this IF system, is perfect.

The game, as Draculaland, falls on the humor pastiche sub-genre genre (sic). I’m not very fond on detective stories, and definitively I’m not into pastiche humor pieces, but Robin is soooooo fun, he is so smart doing it, that I laugh out loud several times. Just take attention to the office of the Player Character (PC) and later read the Detective book 1001… so funny.

I like that the just plain silliness of Draculaland goes here to another level, and that it works so well. It seems as if Draculaland were the first draft of what is coming, because the pastiche silliness is there, the UI is there, both games has the same CSS visual design, but in Detectiveland it simply all makes click! together. Thanks to the improvements in multimedia, the music, the portraits, and of course the magnificent cover, everything works towards the goal, that is to have great fun with a solid modelled puzzle game.

The better of it is that the model system works. This system remembers us why modelled worlds are so funny to play, and in a world that goes towards hypertext and CYOA domination, this feels as fresh air: the old made new again.

Returning to the use of multimedia, however, the music felt repetitive. It seems the author is not comfortable yet with the silence, and the space around it. I think the game would benefit a lot from a more discrete use of the music, doing only a 2 or three times loop, and then stopping until another change in the ambience of the scenery. With that, short bursts of music, would serve as a perfect cue to the new ambience instead of fill every space with an eternal repetition.

On to the structure, it is somewhat open: you have three cases to work, but you have to choose one. The world organises itself for the case at hand. Once the player has solved the three first cases, the games gift us with a fourth case. The initial puzzles for each case are very easy and straightforward, but I found some of the final ones too difficult without learning curve or a progressive difficult curve in the middle. Probably that’s because the nature of the comp, but for a future releases of this kind of games could benefit a lot of a more expanded play time, and a smooth difficult curve.

In one of the final puzzles for one case, the solution was … almost "read the mind of the author", but I think it was very well implemented, with an exemplary design on trial and error. But as I'm not accustomed to this nowadays I made the decision to go to the police station; I had the motivation to do that, but, of course the location was not prepared for me for that concrete case finale, so I got stuck. I think for those occasions the game could benefit of a little more railroading or adding dynamic clues when the player has the motivation to look for in other places when he has failed the puzzle and failed to notice that he has to return to the problem at hand in the same place. But… this is nick picking. We don’t need perfectly round games to enjoy them, isn’t it? Because this is a game of 9. Ooops, I said that... agh, forget it.

Score: Excellent.

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