Studio

Number of Reviews: 2
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Spring Thing 2024: Studio, April 5, 2024

This is the kind of horror that gives me nightmares. There are no supernatural beings in this story, just a diminishing sense of security in a world that is getting increasingly dangerous to sleep in.

For the avid (and paranoid) parser player, it pays to get to know your player character and what she's like. In the first half of the game, she has to do her chores like emptying the dishwasher and (Spoiler - click to show)remembering her new identity. As the game progresses, the web browser turns orange and gradually dims, imitating the sun going down. If the player snoops around with the right commands, they'll learn about her backstory, why she has moved to a new part of town, and why she's constantly exhausted but still aware of everything around her.

As the second half begins, the web browser goes dark and everything onward is written in the future tense. The inciting event hasn't happened yet. All the parser input the player enters is the sequence of actions she will take to overcome (Spoiler - click to show)the armed intruder.

Studio is a very tense game, especially when the player is starting out. The game reacts to your every command without hesitation and you can feel how precious every move becomes in this (Spoiler - click to show)life-or-death situation. Every step feels like a step into the unknown and I have to remember the right numbers, where things are and where (Spoiler - click to show)he is.

I've lived in studio apartments this small before, so it's impressive how spacious this environment becomes when we add this obstacle to the mix. Navigating around the apartment, grabbing important items, and possibly creating distractions makes this living space feel a bit larger -- but it's still overwhelming because I have to remember that her smartphone is by the bed, her laptop is in the office area, etc. This game could have been set in a house, but the compactness of the studio apartment makes it more intense. In the parser game model, the player character and the obstacle are in different rooms. In the actual writing of the game, they're just a few feet away from each other. This proximity overrides the way I usually map parser games in my head, and I find it thrilling, if not nerve-wrecking.

There are multiple endings to this game, which may not seem like much at first. However, the game only counts endings not by how we got there, but what the outcome is. (Spoiler - click to show)Multiple ways to kill the intruder exist as a quick example. This made me replay the game a lot to explore what other outcomes are possible and which one would be satisfying for the player character. Normally, I would find replaying a horror game less unnerving. However, the constant search for new things to do keeps me on edge, and I really like how the game encourages that experimentation.

If I hadn't, I wouldn't have noticed that (Spoiler - click to show)fleeing the apartment with everything you have is the same as fleeing the apartment without your valuables. After all, the armed intruder can still find you and kill you. Or how the armed intruder reacts to sounds and things that look off (he noticed the keychain was missing). Or how you can just turn on the radio and listen to some great hip-hop. This makes the setting very believable and grounded while creating a kind of sandbox environment for the player to play around in.

It took me a while to get the last two main endings, that is (Spoiler - click to show)subduing and murdering the intruder while alerting the police. And I had to ask Cochran for help for that since they weren't really smart ideas for the player character to have. But I do appreciate that these endings exist as they remind the player that every variable is in fact in check.

While I enjoyed the game very much, I have to admit that the game doesn't go beyond its atmospheric horror roots. The way the game handles its themes doesn't make me want to write an essay about it. I think this can be a downer for people who want more than just a sandbox horror game.

That said, I think its brevity works in its favor. Studio knows what it wants to do, and it delivers. I am extremely impressed with the title and how many secrets it has -- I'm sure there are more to be found, even though I've spent hours on the game. It's simply an effective horror parser game because it preys on something most people feel vulnerable to: our safety.

I remember wondering what the player character meant in the second half when she said that (Spoiler - click to show)she was missing the weapon that kept her safe, and I restarted the game and searched the apartment as if I were burglaring her place. After a day of searching, I found (Spoiler - click to show)her taser and time stopped for me. I thought about all the associations with the object, her backstory, and why she needs it.

The object, in my view, challenges how we balance safety with other needs while reminding us that one wrong step could be the end of everything. It is a symbol of how (Spoiler - click to show)gender-based violence is everywhere and the police are useless. All she can do is fend for herself, and I think that's the real horror of the story: she's alone in a violent, violent world.

The studio apartment just happens to be a microcosm of that world.