The Bones of Rosalinda

by Agnieszka Trzaska profile

fantasy
2022

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4 of 4 people found the following review helpful:
She's a skeleton. He's a mouse. They fight necromancers., June 15, 2022
by Mike Russo (Los Angeles)
Related reviews: Spring Thing 2022

Oh, what a lovely way to wrap up the main festival (I beta tested the remaining quartet of games)! After a rewarding but, I have to admit, somewhat grueling month of playing and reviewing, getting sucked into the Bones of Rosalinda is like sinking into a warm bath. This is another in a line of games from the author that import parser-y touches like an inventory, compass navigation, and a world model into a choice-based framework, and the resulting gameplay is something like the early-90s graphic adventures of my youth, with lots of scope to explore and experiment but no guess-the-verb flailing required. The game’s comedic chops make the comparison even more apt, with a high joke density that anticipates that you’ll try to hide a needle in a haystack for no reason and character names that left me smiling (the fact that the necromancer’s assistant is named Albert makes me laugh for reasons that I don’t feel capable of explaining) – but where some of the LucasArts classics could be too cool for school, TBR has an appealing cast of characters, from resolute hero skeleton Rosalinda to your brave-despite-himself mouse sidekick Piecrust, to the ogre chef who always thinks the best of people. Add in a clever set of puzzle mechanics hinging on Rosalinda’s ability to detach her limbs, and you’ve got something here for just about any lover of IF.

Admittedly, the quest you’re given from the off is relatively conventional – in a fuzzily-defined medieval fantasy world, you’ve got to stop a necromancer bent on no good by navigating his dungeon and bearding him in his lair – but the twist that he’s a newbie who hasn’t quite got the hang of the gig, and you play the first skeleton he’s managed to animate without managing to bend to his will, lends more than enough freshness to proceedings. The relatively straightforward opening also helps ease the player into the game, alongside the tutorial-like was the first set of challenges teach you about the game’s basic mechanics – by solving a gradually-escalating sequence of puzzles you get walked through how the inventory works, the different things you can accomplish by sending your limbs or skull off separately from your body (I feel like I’ve played other games where the player character has similar abilities, but I can’t think of any that have implemented it as smoothly and systematically as TBR), and how to switch perspectives to Piecrust. The game then opens up a bit, presenting some more complex puzzles and a larger set of rooms to explore, though not in an overwhelming way – a trick the game pulls repeatedly to keep the pacing tight and limit the number of objects and objectives at play at any point in time.

Since so much of the gameplay is puzzle-driven, it’s good that the quality here is very high. There’s a strong variety, since between Rosalinda’s multi-competent anatomy and Piecrust’s mousely attributes, you have a lot of potential tools to bring to bear, and the game doesn’t hit any one specific approach too heavily. There’s also a mix of funny object-based puzzles, as well as a couple that require thinking through your conversational approaches with some of the other denizens of the dungeon. One puzzle did strike me as a bit hard (Spoiler - click to show)(making one of your arms into an impromptu candlestick holder) though this might be down to the solution requiring you to use the inventory interface in a way I hadn’t previously tried, even though it’s clearly signposted. And I wished there was an automatic way to tell one of the main characters to follow the other, especially in the maze (don’t worry, it’s not that bad!) But overall the puzzles hit a satisfying level of difficulty, and nothing requires too much clicking around.

And as mentioned, the world and characters are just delightful. I laughed at the puffed-up demon who’s nonplussed when his decapitation of you doesn’t lead to very satisfying results (seeing you hop after your skull, he remarks “I thought only chickens could do that”). I gave out a little cheer when Piecrust dug deep to stand up for his friend, and another when I read the heartwarming ending. The game is a real treat, and I’m hoping the epilogue’s promise of more adventures to come for the dynamic due of Rosalinda and Piecrust comes true.

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