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About the StoryThe Automatic Hotel, once hailed as a symbol of scientific progress and invention, stands crumbling. Surrounded by protesters trying to save the historic landmark and mired in rumors about the hotel's once-great steam-powered automatons, the building now represents something much more sinister. It's the last place that you saw your husband alive.
You must find a way to enter the mysterious hotel and discover the secretes of its celestial prison. But more importantly, you must make a choice. Which is more important – the life of your husband or the survival of humanity as you know it?
47th Place - 22nd Annual Interactive Fiction Competition (2016)
The Breakfast Review
It really feels as though the very narrow path to victory was implemented, and then the red herrings way off to the far fringe were implemented ... but all the background stuff in between the two was left out. Or possibly that the game was building up in more than one direction, and the remnants of those discarded ideas/puzzles were never properly edited out.
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The present-day setting was even more decrepit. I have no information other than I have to go to work, but wandering out of the house took me into a maze of one-way passages and blank, undefined rooms. A man came to the door while I was in the kitchen. Then he came to my door again while I was wandering down main street and the same scene played out again. I went down an alley and got stuck. I bumped up against a metal door I couldn't see. A caretaker held me captive (apparently?) I have no idea what else you're supposed to do; there's probably an action you can take in the kitchen that triggers the rest of the story.
This game desperately needed to do one of two things:
1) Embrace the nature of the parser and fully implement the environments and for gods' sake have playtesters.
Players are going to be poking around, trying different things, and if the setting collapses like a souffle at the slightest touch, that's poison.
or 2) Use a format suited for telling a more linear story, like Choicescript. What little I saw of the story was compelling, and made me want to read more, but getting any of it out of the game was like pulling teeth.
If the idea hadn't been so good, I probably wouldn't care about this so much, but it was such a good idea, and I wanted this to be a good game so badly, and then it was unplayable.
This is version 4 of this page, edited by verityvirtue on 22 November 2016 at 12:48pm. - View Update History - Edit This Page - Add a News Item