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Number of Ratings: 54
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Previous | << 1 2 3 >> | Next | Show All - RedHatter (Vista, California), June 6, 2013
Adventure Classic Gaming
On the positive side, this game is crowded with both characters and puzzles, making the land of Quendor come alive. The puzzles are interesting and vary greatly in style. On the negative side, there is no focus to your trek through the cubes. You do not find out where you are going and why until the end of the game. I also like to know more about the shadowy figure as I progress through the quest, in order to lend some urgency and direction to the trek through the cubes.
-- David Tanguay
SPAG
[...] one of Infocom's very best.
Though the plot of the game amounts to, as with the first two entries, "save the world from an evil force through your use of magic", there is far more going on here -- and the plot is much more integrated into the game as a whole. The initial development/hook, though very different from the device in Sorcerer, has considerable shock value -- and, incidentally, serves to draw the player into the story rather than sounding a false alarm. Learning the "rules" of the game takes some time, and there are numerous opportunities to make the game unwinnable, many more than in Enchanter or Sorcerer (including one juxtaposition early in the game that seems like a "pull-my-finger" joke of sorts) -- but the unconventional nature of the story makes every new development a new discovery in a way that cannot be said of your average collect-the-treasure cave quest.
-- Duncan Stevens
- Jimmy Gonzolo (New Mexico), January 21, 2013
- EatenByAGrue, January 3, 2013
- kala (Finland), May 26, 2012
- Christiaan, March 27, 2012
- Toasty23 (Washington), December 23, 2011
- Nav (Bristol, UK), November 25, 2011
- ifMUD_Olly (Montana, USA), July 5, 2011
- André St-Aubin (Laval, Québec), May 31, 2011
- Rotonoto (Albuquerque, New Mexico), May 16, 2011
- snickerdoddle, January 27, 2011
- Narcisse, November 26, 2010
- Alder (San Francisco), August 15, 2010
- Muskie, August 11, 2010
- Mr. Patient (Saint Paul, Minn.), August 6, 2010
- freeform (Taiwan), May 14, 2010
- o0pyromancer0o, April 23, 2010
1 of
2 people found the following review helpful:
Good but..., December 8, 2009I love enchanter. I really love sorcerer. I was really looking forward to playing spellbreaker.
It's the third in the trilogy. Magic is failing, and you, now the guildmaster, must do something about it. What's more, a myserious figure turned all the other head mages into reptiles (with some kind of yonked cleesh spell, I presume).
Where this breaks from the last two games, is the fact that you're basically teleporting from random location to random location. The game is fun, but at times the difficulty seems almost unfair. (Such as the final puzzle).
The plot during the game leaves much to be desired. Without any clear reason why, you are just going around collecting magic white cubes so you can teleport to the next area. The areas seem fairly random, almost as if they took all the puzzles they had left over from the other games and loosely strung them together.
The system is good, and some of the puzzles are fun, but sometimes you're left wondering why you're even doing what you're doing, and the inventory becomes cumbersome, what with 12 cubes you have to name seperately to keep track of them.
If you like enchanter and sorcerer, you'll like this one, just make sure you have the invisiclues handy, because the game is pretty much unbeatable without it.
5 of
5 people found the following review helpful:
Marvelous illusion of freedom, September 18, 2009Despite the fact that this game is incredibly linear, especially at the end, it has a remarkable way of making you feel like you can do anything.
Part of this is because your main form of transportation is a sort of teleportation. You can go to any area of the game you have previously visited, at any time - although certain rooms in that area may become inaccessible.
Many of these areas have scenes that play out when you arrive. If you go back too many times, this may start to seem silly and repetitious, but the nature of the story and the puzzles tends to keep this from being an issue.
Another reason the game feels so "open" is because so much of it is outdoors. A very small number of connections between outdoor locations makes it seem like you could travel anywhere even without the teleportation ability. Probing the environment reveals this to be an illusion, but most of the time it is a perfectly acceptable one. Occasionally this gets annoying, though. (Spoiler - click to show)One pet peeve of mine is that if you leave the Bazaar by carpet, and then immediately go straight back down, you can't return to the Bazaar. I suppose the reason is that you get lost in the clouds, but I don't find that entirely convincing.
I found Spellbreaker incredibly difficult - BOTH times I played it. The first time was 15 or 20 years ago. It's curious to examine which puzzles I found difficult and which were not so much. The matters of pure logic (Spoiler - click to show)(The Plain and the "weighing" problem in the Outer Vault) were no problem, but knowing which objects and locations needed more exploration were a complete mystery to me. I turned to hints for several of these: One puzzle is pretty straightforward once you are presented with all the pieces, but it is in a location I was discouraged from revisiting, because of the tedious precautions needed to get there without getting yourself stuck. (Spoiler - click to show)(returning to Mid-Ocean after you get the snavig spell)
I had to use hints on both plays in order to get through the "maze." (Spoiler - click to show)(The octagonal rooms) It's not quite a guess-the-verb puzzle, but it's the sort of thing where you know roughly what you need to do, and you're still completely unable to figure out what action will do it. Once you find the right action, there's still the actual traversal of the maze to solve, but being of a logical nature, I didn't find that part difficult at all.
I was as stumped as Peter about that inventory object with hidden uses. In fact, there were several aspects of Spellbreaker that might have made more sense with more room to explain. I don't think I'm giving away anything to say that the jindak spell works only on takeable objects in your location. Magical scenery and magical items in your possession will not register when you cast it. It took me quite a while to figure that out. Several puzzles in Spellbreaker depend critically on timing and repetition - if you don't do them just right, you might think you're barking up the wrong tree. I think Peter might have had this in mind when he said that Spellbreaker "messes with you!" On occasion, this makes it more fun, but it's a very fine line, and I think Spellbreaker crosses it more than once. Curiously, there's one occasion when this makes a puzzle easier in a way. (Spoiler - click to show)I didn't realize that the real cube in the Outer Vault might either glow less or more than the fakes. This makes the puzzle harder to do correctly, but I just assumed I'd made a mistake and went back to my savegame in the Inner Vault until I got the solution I expected. After I read the details in the hints, I went back and devised my own solution just for fun. Another thing I missed by using a savegame until I got the solution was that the alarm is only triggered by spellcasting and taking the treasure, not by taking turns or picking up cubes. The uncertainty gave the puzzle an imagined time pressure that didn't really exist.
There's one other timing issue at an early point in the game that I still haven't figured out. (Spoiler - click to show)If you go down from Packed Earth too early, you can fall to your death without the roc picking you up. I have absolutely no idea why.
I needed hints for the final puzzle in Spellbreaker the first time I played it, but the solution was so memorable that I couldn't forget it the second time around if I tried. In hindsight, it's so elegant that you almost forgive Lebling for failing to provide the slightest clue as to its nature...
Finally, Spellbreaker has the absolute best carryall object I've seen in any IF game. Not only is it a wacky brilliant idea, but it makes gameplay smoother in a way that doesn't break mimesis.
- Mastodon, March 26, 2009
- John D, March 14, 2009
- albtraum, February 8, 2009
- Martin Braun (Berlin, Germany), November 25, 2008
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