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About the StoryYou have just received information about a legendary artifact in the Amazon. Will you be able to find it and return alive?
Old-school challenges are optional and can be enabled for a more challenging experience.
With permission, this game is a translation and an improvement of a Danish game from 1985 by Niels Søndergaard. Art work by Steffen Vedsted, also with permission. Music by Eric Matyas ( www.soundimage.org) in accordance with attribution-info.
Playable on Windows and Android, as well as online ( http://www.adrift.co/cgi/play.cgi?1528 ).
3rd Place - 2019 ADRIFT Game of the Year Award
53rd Place - 25th Annual Interactive Fiction Competition (2019)
The game is spruced up with some lovely little cartoons by Steffen Vedsted, with an explorer who looks like he’s the main character of a newspaper comic which has inexplicably been running for 70 years, and soundtracked with some of Eric Matyas’ compositions, enough of them so that repeat songs don’t get annoying. It’s some of the best presentation I’ve seen in the competition so far this year.
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The Breakfast Review
There are a couple of places where it can be made unwinnable, but it's fairly easy overall, so that's probably not going to be an issue. The real challenge would probably lie in finishing the story with one or more of the old-school challenges in play.
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|Average Rating: |
Number of Reviews: 2
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The game warns you that it comes with randomization, hunger timers, etc. and has a really clever idea: allowing you to turn all of those off. I tried playing with them on at first, and it was actually fun, since the map wasn't too confusing (especially with the automap. And Adrift online makes playing a lot better!). The music and images worked well with the text.
Some parts of the interactivity just seem too farfetched to guess on your own, though. I knew I needed to (Spoiler - click to show)find the key in the jaguar, and I knew that (Spoiler - click to show)I had to eat in the game, but I never thought the two would be combined to solve a puzzle. And some tools seem like they could have many uses (such as the (Spoiler - click to show)dynamite). But a lot of this stems from older game design where it was expected the player would only have a few games available and play each of them off and on for multiple days or weeks.
More concerning is the inherent colonialism in the game. I ran into this when adapting Sherlock Holmes in to a game; I left in negative references to gypsies, and the feedback I received taught me a lot more about the negative experiences gypsies have had over the years (including in the Holocaust!) This game does something similar, where the natives are portrayed as more or less dumb and associated with alcohol, and there are no moral qualms about entering sacred spaces and stealing artifacts to take back to Europe. This wasn't exactly unusual in 1985 (just look at Indiana Jones and the Temple of Doom from the year before!), but sticks out now, to me, especially since I've also adapted older works with colonialist views. I don't really have any advice, these are just my thoughts.
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This is version 5 of this page, edited by Edo on 12 September 2020 at 10:30am. - View Update History - Edit This Page - Add a News Item