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Cragne Manor
by Ryan Veeder profile, Jenni Polodna profile, Adam Whybray, Adri profile, Andrew Plotkin profile, Andy Holloway, Austin Auclair profile, Baldur Brückner, Ben Collins-Sussman profile, Bill Maya profile, Brian Rushton profile, Buster Hudson profile, Caleb Wilson profile, Carl Muckenhoupt profile, Chandler Groover profile, Chris Jones, Christopher Conley profile, Damon L. Wakes profile, Daniel Ravipinto, Daniel Stelzer profile, David Jose, David Petrocco, David Sturgis, Drew Mochak, Edward B, Emily Short profile, Erica Newman, Feneric profile, Finn Rosenløv profile, Gary Butterfield, Gavin Inglis profile, Greg Frost profile, Hanon Ondricek profile, Harkness Munt profile, Harrison Gerard, Ian Holmes, Ivan Roth profile, Jack Welch profile, Jacqueline Ashwell profile, James Eagle, Jason Dyer profile, Jason Lautzenheiser profile, Jason Love profile, Jeremy Freese profile, Joey Jones profile, Joshua Porch, Justin de Vesine, Justin Melvin, Katherine Morayati profile, Kenneth Pedersen profile, Lane Puetz, Llew Mason, Lucian Smith profile, Marco Innocenti profile, Marius Müller profile, Mark Britton, Mark Sample profile, Marshal Tenner Winter profile, Matt Schneider profile, Matt Weiner profile, Matthew Korson, Michael Fessler, Michael Gentry profile, Michael Hilborn profile, Michael Lin, Mike Spivey profile, Molly Ying, Monique Padelis, Naomi Hinchen, Nate Edwards profile, Petter Sjölund profile, Q Pheevr profile, Rachel Spitler, Reed Lockwood profile, Reina Adair, Riff Conner, Roberto Colnaghi profile, Rowan Lipkovits profile, Sam Kabo Ashwell profile, Scott Hammack profile, Sean M. Shore profile, Shin profile, Wade Clarke profile, Zach Hodgens profile, and Zack Johnson
2018
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Member ReviewsNumber of Reviews: 6
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11 people found the following review helpful:
 Ambitious syncretism!, December 9, 201884 rooms, each written by a different author, but co-ordinated into a structure and based around a tight enough theme that it all hangs together though often with intriguing incongruities.
Roughly, you can split the rooms into two different sorts: rooms which function as typical text-adventure rooms (a key might be hidden somewhere, there might be a short puzzle to get it); and rooms which are short games in themselves, which immerse you in their own unique stories, force you to learn a new set of interacting systems and so forth. As such, the game is constantly confounding your expectations.
Some of the rooms are genuinely horrifying, others are laugh-out-loud funny, more still are challenging and satisfying to work through. I recommend to anyone who likes text adventures especially its inspiration, Anchorhead. Expect to need hints!
(I contributed to this game, so per my own policy I've omitted my rating from the average.)
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