Have you played this game?You can rate this game, record that you've played it, or put it on your wish list after you log in.
Playlists and Wishlists
RSS FeedsNew member reviews
Updates to downloadable files
All updates to this page
About the StoryExplore the wizard Bartholloco's castle with the help of a versatile magic wand. Can you overcome his challenge? Can you levitate a rock? Can you slice a baltavakia?
(Puzzle-oriented and family friendly.)
Winner, Best Puzzles; Nominee - Learning the Cycle, Best Individual Puzzle; Nominee - Discovering the rest of the game, Best Individual Puzzle - 2017 XYZZY Awards
11th Place - 23rd Annual Interactive Fiction Competition (2017)
The title says it all. This story is about the wand, figuring out how to use it and then doing so. There’s minimal setup and character development and almost no dialogue, but it’s a darn good puzzle game.
See the full review
Renga in Blue
As one might expect with a wand, this is generic fantasy: you’re supposed to make your way through obstacles in a castle and gather enough new spells (things like “levitate” and “fire”) to escape. In a way, the presence of spells makes this the most expansive verb list Arthur DiBianca has ever used, since each spell is a verb of sorts. The lack of ability to TAKE things means even the simplest of activities gets turned into a spell-related puzzle.
See the full review
The Breakfast Review
The puzzles start off easy and straightforward, getting more complex towards the end. They're just hard enough, I think, to elicit that all-important sense of achievement that puzzle-solving has to evoke without crossing the line into being frustrating.
See the full review
Although the wand can be programmed to cast a variety of useful spells, the player only acquires knowledge of these spells incrementally. The pacing is appropriate to this type of game: the player acquires a new spell, finds a need to use it immediately, and then has to apply it elsewhere in a less obvious situation. With increasing power of knowledge, the puzzles also become more challenging. By mid-game often a whole series of spells must be cast to solve a problem. The final challenge is delightfully and absurdly complex, requiring the player to invoke nearly every spell they've learned in a carefully timed sequence.
See the full review
|Average Rating: |
Number of Reviews: 6
Write a review
Most Helpful Member Reviews
The Wand is a very polished puzzle-based text adventure, where the player seeks out a challenge at Bartholloco's secluded castle. The player is not allowed to touch anything in the castle, except from the wand, he/she is given at the beginning of the game. Luckily the wand is magical and can be set to 1000 different color combinations. The wand has different abilities depending on the chosen color combination. Unfortunately you do not know which combinations are useful, but clues to this are placed around the castle.
The apparent challenge of the game has a very nice level of difficulty and can be completed in approximately 2 hours. However, (Spoiler - click to show)if you restart and approach the game with your knowledge from your first play-through, you may find a much deeper and more involved challenge.
It is during this deeper challenge you will come to realize how well thought out the magic system actually is. Also, the ending of this deeper challenge is much better than that of the first challenge.
I don't think a pure puzzle game comes much better than this.
So what did Arthur DiBianca put forward in 2017? The Wand, and it's pretty good. The Wand revisits Excelsior's seemingly bland milieu - "a wizard sets up puzzles in a tower" - but this time with far better results.
One of Excelsior's problems was that it wasn't always clear what the "use" verb would actually do. ("use statue"?) The Wand adopts the Enchanter mechanic, where you progressively learn spells that interact in interesting ways, but strips it down to *just* the spells with no other verbs except for movement. This creates a very effective experience where it's always clear what you're attempting to do, but the consequences of your actions can be unexpected.
Another of Excelsior's problems was the lack of a story or any real context for the puzzles; I kept wondering "why is this here?", and the ending felt like a disappointing afterthought. The Wand avoids this by being entirely upfront about its concept. I'm reminded of Emily Short's "Action and Interaction": "I’ve come to think that one of the jobs of a work of IF is to teach its player - constantly, in every kind of feedback - what sorts of interactions are appropriate to the game." This idea permeates The Wand, from how the concept is presented to how puzzles are hinted. The game continually and progressively teaches you what to expect, while offering some little surprises along the way. (Case in point: the brilliant way the game handles the "use" verb.)
In many ways this is the driving idea of the limited-parser movement, of which DiBianca is a vanguard: people are quite happy to play by the rules of the game you establish, but when there's a mismatch between their own idea of the rules and the game's idea of the rules, they can be disappointed. Thus, stripping down the parser and saying upfront "yeah, don't expect a story" can actually increase immersion. (Indeed, going into the game with no expectation of context or story made those elements pleasantly surprise me where they did appear.)
I must admit I am not a full convert to the minimalist school. The call of the verb is strong. But there is much of value in this way of thinking, and The Wand does it well.
Other strengths: DiBianca's writing is terse, but whimsical and evocative. (What is a baltavakia, and how do you slice one? I'm still not really sure I know, but the mental images that section conjured were fantastic.) Puzzle design is strong, mostly of the satisfying "oh! now I can do *that*!" variety. Puzzles are often "themed" and make sense within the context of their environment, which is small enough to keep everything nearby but large enough to offer a few different avenues to explore if you get stuck. Hinting is strong, with a mix of obvious solutions and head-scratchers - although I did have to check the walkthrough to realize I could (Spoiler - click to show)just walk past the dragon. The adorable, adorable dragon.
I do have a few minor critiques, e.g. I'm not sure about the wand mechanic. Spells take two turns to input, and wand settings are hard to remember without writing them down, especially since the color abbreviations can be unexpected. I do wonder if Enchanter-style magic words would work better, but as a mental concept, "one wand and two verbs" has its perks.
IMHO, what would have made this game even better is 1) deeper spell interaction, and 2) deeper worldbuilding. You can levitate rocks; what if you could levitate *anything*? The wizard has a pet kimpert; why? But I acknowledge that these thoughts are driven more by my personal affinity for games like Counterfeit Monkey than by any practical considerations.
Note: This game has hidden content that is not mentioned in the walkthrough.
The parser in The Wand is similar, with well-circumscribed limits to what verbs might be used. This time, though, we have a much smaller map and a configurable wand to play with, which gives the player different abilities, paring down the parser further.
Puzzle clues are given abstractly, like Flash escape room games of yore. Object manipulation is more complex, since the player can do more with each object. Puzzle-solving in The Wand doesn’t quite have the same snappiness as In the Facility, but there’s some nice framing of the central game premise here.
The Wand is overall a polished game, with a streamlined puzzle system. If you enjoyed this, you might enjoy Sub Rosa by Joey Jones and Melvin Rangasamy.
See All 6 Member Reviews
If you enjoyed The Wand...
Related GamesPeople who like The Wand also gave high ratings to these games:
|Rage Quest: Disciple of Peace, by John Ayliff|
Average member rating: (12 ratings)
When Valtash the War God created orcs he gave them an inner rage that constantly urged them towards violence. A few orcs learned to use meditation to control this rage, and founded a remote monastery where they could live free of the War...
Draw Everything You See That's Mine and Yours, by kaleidofish
Average member rating: (8 ratings)
A story about a casual relationship between two men that grows into something more over the years....
|The Baker of Shireton, by Hanon Ondricek|
Average member rating: (16 ratings)
You are the Baker of Shireton. The bread you bake is delicious. Raiders are coming.
Recommended ListsThe Wand appears in the following Recommended Lists:
Best fantasy games by MathBrush
These are my favorite games that include some sort of magical or fantastical element. Games with mostly horror or sci-fi elements are on other lists, as are surreal games, fairy tale/nursery games, and religious/mythological games. I've...
A Year on IFDB: The games that have stayed with me by Spike
About a year ago I discovered post-AGT interactive fiction. Since then I've played a lot of great IF games. This list consists of the ones that have stuck with me the most. They're not necessarily the ones I rated the highest immediately...
PollsThe following polls include votes for The Wand:
The great puzzlefests by Victor Gijsbers
Playing Curses!, I started wondering which games belong to the canon of great puzzlefests. With this term I mean puzzle based games that are long, difficult and punishing; but also fair, engaging and truly rewarding to work through. The...
For your consideration: XYZZY-eligible Implementation of 2017 by MathBrush
This is for suggesting games released in 2017 which you think might be worth considering for Best Implementation in the XYZZY awards. This is not a zeroth-round nomination. The category will still be text-entry, and games not mentioned...
For your consideration: XYZZY-eligible individual puzzles of 2017 by MathBrush
This is for suggesting games released in 2017 which you think might be worth considering for Best individual Puzzle in the XYZZY awards. This is not a zeroth-round nomination. The category will still be text-entry, and games not...
This is version 12 of this page, edited by CMG on 16 April 2018 at 6:20pm. - View Update History - Edit This Page - Add a News Item