Home | Profile - Edit | Your Page | Your Inbox Browse | Search Games   |   Log In

Reviews by Wade Clarke

Python

View this member's profile

Show ratings only | both reviews and ratings
View this member's reviews by tag: ADRIFT ADRIFT 3.8 ADRIFT 3.9 ADRIFT 4 ALAN Apple II BASIC browser-based choice-based comedy commercial Commodore 64 Eamon educational fantasy Halloween horror Hugo IFComp 2010 IFComp 2011 IFComp 2012 IFComp 2013 IFComp 2014 IFComp 2015 incomplete Inform Lovecraft Python Quest RPG science fiction Scott Adams StoryNexus TADS thriller Twine Undum Unity
...or see all reviews by this member
1-1 of 1


The War of the Willows, by Adam Bredenberg

2 of 2 people found the following review helpful:
The world would be better off if it really was this tough to kill a tree., November 18, 2015
by Wade Clarke (Sydney, Australia)
Related reviews: choice-based, Python, IFComp 2015, fantasy
(This is an edited version of a review I originally wrote for my 2015 IFComp blog.)

War of the Willows is a combat game, requiring a Python interpreter to run, in which you must put down a giant, killer willow tree that's menacing your kingdom. Put it down mano a mano.

I doubt that anyone would have guessed this about the game based on its IFComp blurb

"Did you see the clean air of the hilltops? Wind waves tumbled down through the trees, tore the drift of lavender smoke... Did you see then, in the cinder that glowed in the pewter cup, did you see how Death would wrap its roots around our throats?"

except perhaps for the presence of that subtle pun about the roots wrapping around our throats. It's like that moment in the original Resident Evil when Chris Redfield, having polished off a building-sized carnivorous plant, says, "I think we got to the ROOT of the problem." (His emphasis, not mine.)

War of the Willows wraps a randomised combat game of obscure mechanics one that at heart is not entirely unlike the kind of thing that appeared in David Ahl's 1978 book BASIC Computer Games with a poetic and sometimes heavy-leaning text delivery. When a game starts by quoting a chunk of Edicts from the Bible, that's heavy. The original prose that follows flows in a similar, stansa'd vein. Poetry + combat = a novel entity, and once you get stuck in, you'll probably be hooked on trying to win at least once. But the game throws up tons of very obvious design issues. Primary amongst them: requiring the player to deal with way too much repetition of prose and key-mashing.

I believe that I am a poor reader of poetry-poetry, but I enjoyed picking my way through the figurative language of War of the Willows to learn about the woes of my kingdom and its apparent comeuppance at the hands of nature and such. At least I enjoyed doing it the first time. After I had tried to kill the tree about ten times, died as many times and mashed RETURN to make it through all of the same prose ten times, as well as answering the questions I had to answer on each playthrough to get to the battle, my right hand was ready to fall off and I was displeased at this design weakness.

Also when you type in a god's name, you have to capitalise the first letter or it's not understood! And double also I often experienced buggy code dumps in the middle of the prose. Maybe they're related to my version of Python. They didn't wreck anything, but seeing blocks of code from the game appear during the game was not an endearing quality.

The upshot is that when you get to the combat, you'll become interested in the combat, and all the unvarying material preceding it then just becomes a delay at getting back into the combat on replays. This applies to player death, too, which also requires a fair bit of RETURN-whacking to end proceedings.

The combat itself is significantly frustrating, but still compelling. The mechanics are hidden, but the prose does give feedback on your actions. Seeing new phrases appear suggests that your last action might have brought them about. There are logical ideas about useful ways to string together the available actions like strike / evade / advance, etc. that are likely to occur to any player, but as I say, it took me about ten plays to score a victory over the willow. It's hard to know what effect your pre-battle choices of god and desire have on the proceedings; I was having so much trouble killing the tree once, I never swerved from the walkthrough's advice (the walkthrough is purely advice) that one always choose certain combinations. I went with Vordak and Power.

I think the author has hit on a strangely original idea with this game, but it's a pretty user-unfriendly incarnation of that idea.


1-1 of 1