| 5 star: | | (63) | | 4 star: | | (33) | | 3 star: | | (22) | | 2 star: | | (9) | | 1 star: | | (0) |
| Average Rating: 
Number of Ratings: 127
Write a review |
Previous | << 1 2 3 4 5 6 >> | Next | Show All3 of
3 people found the following review helpful:
Il Reggente., January 24, 2024How Unseemly!
-------------
The King is dead! All hail the Ki... well, seeing that Prince Charles is a five-year-old nasty specimen of royalty who has barely outgrown his toddler nappies, that should be "All hail Primo Varicella, Regent of Piedmont!"
Once you've managed to outmaneuver your rivals to the Regency in the maze of backstabbery and treasonous wit that lies before you at this time, that is...
Several times during my earliest forays into Interactive Fiction, 20-odd years ago, I started playing Adam Cadre's Varicella and quickly bounced off it. My expectations then were firmly geared towards long linear quest-adventures, and this game's time-limit and simultaneous sub-puzzles stumped me. I never got much further than trying to kick one of the guards in the nads when he wouldn't stand aside. (A swift death was my reward.)
In the past years, I have played and enjoyed a bunch of optimisation games, and delving into the historic vaults of IF had exposed me to many Cruel games with numerous try-die-repeat puzzles. With the added wisdom and experience so accumulated, I felt ready to once again tackle this highly acclaimed Classic of the Renaissance with an openness of mind and the patience to appreciate it on its own terms.
>"Photopia has made more of a mark, I suppose, but Photopia is a short story; Varicella is a world. There are so many things to see and do…"
--Adam Cadre on Varicella--
A very true assessment. What the author doesn't mention is that no single playthrough will ever contain even half the content this game has to offer. Merely to gather the absolute minimum of information necessary to solve the game requires multiple focused playthroughs. Finding out about the other conversation topics, item descriptions, hidden nooks kept me happily engaged for a good while after I had solved the central puzzle.
Varicella is amazing.
----------------------------------------------------------------------------------------
----Rise Of Primo Varicella; A Truthful Account Of Our Behind-the-Scenes Assistance To One Palace Minister In His Ruthless Ascent to Power----
----------------------------------------------------------------------------------------
--> I. In which We Acquaint Ourselves With The Pallazo del Piemonte:
As a first move, we slide our pocket pocket watch into our breastpocket, we won't be needing it anytime soon. Let death come as it wills. (In other words, do not pay notice to the advancing clock in the status bar.) In these first few visits to the Palace, our primary focus shall be on the basics of this imaginary world: the Map! Exits and entrances, locked doors and other puzzles, the locations of items to pick up and NPCs to chat up.
The Palace on each level is built according to an almost completely symmetrical floor plan. This arrangement will be most convenient later on, when time is of the essence. For now, we might as well draw our map and note and label the offices of our rivals for future reference.
Pairing the practical to the pleasant, our tour allows us to take in the halls, rooms, and corridors of the Palace, all described from Primo's point of view.
>\>LOOK
Your Quarters
You may have been relegated to the top of this tower, but that hasn't impeded you from imbuing your quarters with an excellence that not even a team of interior decorators flown in from Kyoto could achieve. Only someone with your finely-honed sensibilities could have taken this amount of space and kept it from seeming appallingly cramped. Though the panoramic windows to the north and west do their part in opening up the room, you still have to give most of the credit to yourself.
His attention to the smallest details of ornamentation reveals an inordinate fondness for luxury and style, this seeming to be his greatest priority in life, apart from his unquenchable thirst for power.
--> II. In Which The Gap Between Primo Varicella's Knowledge And Our Own Is Bridged, And Our Shared Understanding Is Broadened:
Having lived here for years, Primo has been involved in the palatial scheming and plotting for a long time before we made our entrance. It's essential for the player's understanding of what's going on to absorb all the information at hand to catch up with him.
Both the explicit asides in and the implicit hints at palatial power-dynamics between the lines of the room descriptions have already given us a view of the treacherous web of ambitons we'll need to navigate. A good way to get more insight is Primo's own record of his rivals and potential allies. (He has a nifty gizmo...)
This leads us straight to the next step: seeking out the other palace residents. Each and every one of them has their own flavour of wretchedness. Be it raw lust for power coupled with the guileful cunning needed to reach and hold a position in the Palace, the powerless misery of being a mere plaything in the machinations of the Court, or the distanced watchfulness of one awaiting the developments before choosing sides, all the players on this stage are deeply disturbing.
For at least one of them, the ordeals that life amidst these scheming villains have pushed her firmly beyond the reach of reason:
>\>ASK CHARLOTTE ABOUT ME
"i see a little varicella of a man," Princess Charlotte replies. "scaramouche! scaramouche! will you do the grim fandango? i think you will!"
Primo, with all his cynical scheming, is not by far the worst of the lot.
Gaining access to the personal quarters of the other palace inhabitants confronts us with the first few obstacles. Easy and straightforward as they may be, they provide the necessary first steps toward the cogs and wheels we'll need to set in motion. Careful navigation of the conversations and attentive investigation of their rooms will reveal secrets and weaknesses to be exploited later on. The items available in the private rooms point us toward potential ways to eliminate our rivals.
--> III. In Which Fragments of the Scheme are Discovered and Executed:
The accessible rooms and halls of the Palazzo di Piemonte fully investigated, the other denizens interrogated in as far as they would let us, important-seeming items in our inventory, the mind reeling with possible scenarios... It's time to finally act upon the hunches and what-ifs that were triggered by our exploration.
Each of Primo's rivals has their own puzzle-chain, their own sequence of steps toward their elimination. Because life in the Palace moves along at its own pace, and our adversaries are busily deploying their own sets of perfidious tactics, many of our actions are time-dependent.
A number of obstacles require intimate knowledge about the other residents gained in previous conversations to goad them in our desired direction. Other hurdles are of a more physical or technical nature, where we manipulate nature instead of people.
The main objective here is to find the way to take out each of Primo's rivals separately, without worrying yet about the others during one particular tour.
--> IV. In Which I Piece together Primo's Plan:
Alas! I failed at this final task. I had figured out the movements and weaknesses of Primo's rivals, and for each of them I found a way to exploit this knowledge against them. The distinct sequences for eliminating each of the other power-hungry wolves were clear to me, without even once peeking behind the curtains.
++++
Speaking of peeking behind curtains, we're treated to a nice reference to the Bard if we do precisely that:
>LOOK BEHIND TAPESTRY
The tapestry is flush against the wall, with nothing behind it but cool marble. You were expecting Polonius?
---Adam Cadre, Varicella---
--------------------------------------------------/
QUEEN
"What wilt thou do? Thou wilt not murder me?
Help, ho!"
POLONIUS (behind the arras)
"What ho! Help!"
HAMLET
"How now, a rat? Dead for a ducat, dead."
----He kills Polonius by thrusting a rapier
through the arras.----
---William Shakespeare, Hamlet---
--------------------------------------------------/
++++
Despite repeated attempts, I never succeeded at ordering the moves in these discrete seqences into an effective interlocking whole. After getting rid of the majority of opponents, there always remained at least one foe that I had not dealt with soon enough.
It's not enough to execute the separate sub-schemes one after the other, no matter in which order. Primo needs to think many moves ahead and slide the distinct plans together to have a chance of defeating the large-scale puzzle. Acquiring items and solving preparatory puzzles for a later adversary must be taken care of while still dealing with the present opponent, so that the whole of the masterplan is as time-efficient as possible.
When I felt utterly defeated and finally looked at a step-by-step walkthrough, the ultimate all-encompassing sequence of moves presented itself as a magnificent complex web, dealing with every circumstance and threat in an interwoven simultaneous master scheme.
Following the walkthrough and seeing events unroll showed me a vision of an inescapable, interlocking, overarching solution which has an almost mathematical beauty.
--> V. In Which Primo Varicella Prevails:
At the end of this horrible tale, Primo stand atop a heap of corpses, rewarded with the Regence of Piedmont. With the child Prince Charles under his protection and authority, his dream of power is fulfilled.
>"Yet it cannot be called talent to slay fellow-citizens, to deceive friends,
to be without faith, without mercy, without religion; such methods may
gain empire, but not glory. Still, if the courage of Primo Varicella in
entering into and extricating himself from dangers be considered,
together with his greatness of mind in enduring and overcoming
hardships, it cannot be seen why he should be esteemed less than the
most notable captain.
--Nicoló Macchiavelli, Il Principe; Chapter VIII: Of Those Who By Their Crimes Come To Be Princes.-- ("Agathocles" changed to "Primo Varicella)
The short epilogue concludes the story of Regent Primo Varicella in a fitting manner. It left me staring unseeing into the distance, pondering the fate of my luxury-loving, power-lusting companion whom I, contrary to my wishes, had grown somewhat fond of.
Varicella is among the very best IF has to offer. Magnificent.
28 of
32 people found the following review helpful:
The game Photopia should have been..., January 8, 2024Okay, confession time. I've never been a big fan of Adam Cadre's work and have spent the last few years wondering if he's heavily into bribing people to say nice things about his games because I could never see what the fuss was. Photopia left me cold; Lock & Key confused me so much I don't think I managed to do a single thing right; I gave up with Narcolepsy five minutes into it despite telling myself I'd at least give it a fair go before passing judgement. So when I was looking around for a game to play and chanced upon Varicella I wasn't, despite its reputation, really expecting much. I figured that at best it would be a well written mess that had been heralded as a masterpiece for reasons which I would never understand (which is pretty much my opinion of Photopia). So imagine my surprise when not only did it turn out to be very good, but also one of the best text adventures I've ever played.
What's it about?
The complicated goings-on at the Palazzo del Piedmonte where you, one Primo Varicella, are the Palace Minister. Despite the rather grand title, you wield little actual power and your duties generally include those of a glorified butler. But you're a schemer and eager to seize every opportunity that comes along to better yourself. And if this comes at the expense of others, well... too bad.
And now such an opportunity has presented itself. The King has just died and his son, Prince Charles, is five years old. Soon there's going to be a power struggle for the position of regent (who will officially rule the land in the Prince's stead but unofficially can do pretty much what he likes) and you intend to come out on top. Of course, that means dealing with your rivals as quickly as possible but you have few qualms about that sort of thing. "Dealing" in the case being a polite term for murder.
The introduction is good. Very good. Primo Varicella at once becomes a real and believable character, although it's easy to see why he's held in such poor esteem by everyone he meets in the game. He's a fussy little man, obsessed with manicures and interior design who considers himself the only genuinely sophisticated person at the palace. He's also quite happy to murder anyone who stands in his way, hardly a quality likely to endear him to other people. On top of that, he has an over-inflated opinion of himself and his own abilities, as demonstrated so well during the introduction:
Piedmont, it seems, will be requiring the services of a regent for the foreseeable future. And you can think of no better candidate than yourself.
There you have the introduction which does an excellent job of setting the scene.
Difficult game?
Oh yes. I've played some difficult games before but none that come close to Varicella in terms of sheer, downright impossibility*.
* Okay, maybe an exaggeration. After all, I've finished the game so I have firsthand knowledge that it's not impossible, but play it a few times and see how far you get. If you're like me, you'll spend your first four or five plays through the game not having a clue how to finish it.
My first time through the game I actually felt like I was making some pretty good progress. I wandered around the palace, chatted to people, discovered a few things, got a good feel for how I felt everything was likely to pan out - and then I got killed. Yep, soldiers stormed the palace, grabbed me and a moment later one of my rivals, clearly better at this sort of thing than I was, proceeded to shoot me in the head. Exit one fussy little man. Hitting UNDO didn't undo my problems unfortunately as the event with the soldiers and the subsequent untimely demise is on a timer and the program only allows one UNDO in a row. So all UNDO did for me was allow me to relive the moment of my death. Over and over again. Oh joy.
Undeterred, I restarted the game and tried to do better this time. I didn't succeed. Before long, I found myself replaying the final events of the previous game and getting steadily more annoyed at what I felt was an unfair and somewhat premature ending. I'd have probably quit then if not for the slight problem that Varicella was just so damn good that I couldn't bear to quit.
Part of its difficulty stems from the sheer shortness of the game. There is an incredible amount to do to reach an ending which doesn't involve one of your rivals killing you before you kill them and a lot of what needs to be accomplished to steer the game along the path you're after isn't at all straightforward or obvious. A lot, in fact, is the sort of thing you're unlikely to stumble across through sheer luck and instead needs to be plotted out very carefully over a period of many, many games. It's possible to make a few wrong moves here and there, waste a bit of time, but the shortness of the game and the available time you have to complete everything you need to do means that time-wasting just isn't an option. If anyone tells you they finished this game on their first play through they're either a) lying, b) lying, c) lying or d) relying on a walkthrough. Even knowing roughly the sequence of events that you need to go through in order to win, it's still far from easy to actually get there in one piece.
Saving your game regularly - the sort of thing anyone who has played more than a few text adventures knows to do instinctively - is less effective in Varicella due to the game's shortness. Several times after dying I reverted to a previous save only to find myself in another no-win situation because I hadn't performed a certain action by a certain time. In a lesser game this sort of thing would have driven me to distraction (and sent the game off to the recycle bin) but here it's almost forgivable considering the game's other strengths. Almost. When you've just died for the tenth time in a row because you missed something not particularly obvious right at the start of the game, it gets increasingly harder to keep feeling positive.
Persistence seems to be the best way to get anywhere. A couple of times I didn't even try to finish the game, I just explored different avenues that were open to me and if one avenue didn't seem to lead anywhere I restarted and tried something else. One entire game I sat by my surveillance equipment and watched everything I could through it, seeing what I could discover about my rivals that they might not want me to know. In the end, persistence does pay off in that you finally manage to put everything together but you might be forgiven for thinking that you're getting nowhere.
Any characters?
Lots, and very good they are, too. They're a pretty despicable bunch for the most part and at times I was reminded of films like Pulp Fiction where every character, no matter who he or she is, is a nasty piece of work. You might find it hard to sympathise with them - they are, after all, a bunch of back-stabbing, conniving, evil little hellions who would throttle an old woman for her last coin - but it's possible to relate to them all the same. They're all interesting characters with a fully fleshed out background and while none are as well detailed as Varicella himself, they nevertheless perform their duties admirably in giving the player some worthy adversaries to pit himself against.
Not that everyone is against you. With a little bribery, you can find one ally and some detective work and inspired questioning will get you another. Asking as many questions as you can of the characters is a good way to learn things but this is best done in a session when you're not planning to finish the game as the sequence of events that trigger after a set amount of time are likely are come around long before you've exhausted every conversation piece you can think of.
Charlotte is perhaps the only character in the game who doesn't fall into the despicable category, although she has more than a few despicable acts done to her. She spends the majority of the game locked up in the asylum atop one of the palace towers following a mental breakdown after her husband was shot on their wedding day. Several of your rivals regularly rape her (an option, fortunately, you're not able to pursue yourself).
Not a game for kids
There are several dark threads running through Varicella. Charlotte's rape is one of them. Spend enough time checking your surveillance equipment and you'll find an unpleasant scene (mercifully interrupted before its conclusion) with another of your rivals about to molest the young Prince Charles.
Now I started the game thinking that Primo Varicella himself was the lowest of the low due to his plotting to wipe out his enemies, but it quickly becomes apparent from playing through even a portion of the game that he's actually quite a lot less despicable than of his rivals. While more than happy to indulge in power-grabbing games and murder of people who haven't actually done anything to him, he's certainly more tolerable than his rivals. It's probably true to say that he's bad but not half as bad as anyone else.
The tale of the unsatisfying ending
You know on internet forums how when they're about to tell you something that you might not want to know they tend to put a row of dots or SPOILER SPACE with the letters one per line so there's no way anyone can glance at the spoilers without realising what they're looking at? Here we have a single row that says SPOILER so skip over the next few paragraphs if you haven't reached the end of the game yet and don't want it spoiling for you.
(Spoiler - click to show)
The ending was the game's weak point for me. Is there more than one ending? I'm not sure. I finished the game a couple of times and the ending I got was the same each time so I'm assuming it was the only one. If so, well... what a poor way to finish the game.
You win, defeat your adversaries, become regent for the land... and then the Prince grows up, turns into a real terror, stages an uprising, overthrows you and has you tortured to death. Hmmm....
While this certainly made a change from the usual run-of-the-mill game endings where you live happily after ever or find the big treasure chest or slay the evil dark lord and save the world, it's the kind of ending that makes me wonder what the whole point of the game was. Surely there must be a better reward for all that hard work than being tortured to death? Even the endings where I failed and got shot were more satisfying.
Of course, it's altogether possible that there are other endings that offer a more fulfilling conclusion to the game. But I finished it twice - once on my own (and slightly aided by the walkthrough) and once solely with the walkthrough - and both led me to the death-by-torture ending.
Better than Photopia?
Definitely. Now if people spoke about Varicella in the same kind of hero-worship tones that they do Photopia, I could understand where they were coming from. But whereas I finished Photopia and was left wondering just what the big fuss was, when I finished Varicella I immediately played it again several more times just to see what else I had missed. Recommended.
9 out of 10
- aluminumoxynitride, October 29, 2023
- gattociao, September 13, 2023
- Drew Cook (Acadiana, USA), September 7, 2023
- Theta Sigma, August 21, 2023
- Edo, August 17, 2023
- avrom, June 29, 2023
- Kastel, June 18, 2023
1 of
1 people found the following review helpful:
Cinica e originale, November 1, 2022Avventura molto breve e molto particolare, che si svolge in una sorta di moderno medioevo. Ho apprezzato il cinismo e lo humor nero che permeano la storia, non mi č piaciuto invece il fatto che per via dei tempi ristretti saremo obbligati a giocare molte partite prima capire cosa fare e in quale ordine, rendendo tutto un po' troppo meccanico e ripetitivo.
- Kinetic Mouse Car, August 23, 2022
- Titania Lowe, January 24, 2022
- civilstat (Maine, USA), October 21, 2021
- William Chet (Michigan), June 26, 2021
- Karlok (Netherlands), April 14, 2021
- Jonathan Verso, April 11, 2021
- Cvrček, December 23, 2020
- mifga (Brooklyn, NY), October 15, 2020
- Durafen, October 1, 2020
- quackoquack, June 10, 2020
- Cognitive_Prospector, June 6, 2020
- kierlani, May 21, 2020
- Artran (Taipei, Taiwan), May 15, 2020
- beecadee, September 15, 2019
- nf, February 15, 2019
Previous | << 1 2 3 4 5 6 >> | Next | Show All | Return to game's main page