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About the StoryIn this castle, you'll eat or be eaten.
May contain dairy, carnage, puzzles, nuts.
Kerronta sinänsä oli nautittavaa ylitsepursuavuudessaan ja kieroutuneessa huvittavuudessaan. Grooverin tyyli on tunnistettava, samoin teoksen asetelma. Hänen tarinansa sijoittuvat renessanssi- tai barokkimaiseen fantasiamaailmaan, joka on kauhistuttava mutta harmiton samaan aikaan. Eat Messä lukijaa puhutellaan lapsena ja tarina on kuin interaktiivinen iltasatu.
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Eat Me overflows with scrumptious, scrumptious text. It is beautifully written, maximalist, and absolutely, 100% manages to put the player in the mind of the gluttonous protagonist. The descriptions of the things the protagonist eats were almost physically tangible in my stomach. The game made me hungry.
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The dirty little thrill of adventure games is to act as a spoiler, to walk into an environment and tear it apart as you pick up everything not nailed down and break everything standing in your way. Eat Me gives that pattern a perfect thematic resonance with its surreal plot and setting; you're here to devour this world, and the solution to every puzzle is a matter of what (or who) to swallow when.
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Number of Reviews: 3
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I often have hard time relating to the games by Chandler Groover with their aesthetics of abhorrent, but this one turned to be not as revolting as I initially expected. The puzzles were satisfying, the images vivid; the game is cruel (I think it should be the first one to boast both "child protagonist" and "evil protagonist" tags at IFDB at once), but not particularly repulsive to my taste - mainly because of two reasons:
1. A strong fairy-tale atmosphere that smoothes everything, gives an unreal, dream-like feeling (and excellently fits in with the game mechanics, as many classic children's tales are obsessed with food - Hansel and Gretel, Alice's Adventures in Wonderland, etc.).
2. Many food descriptions were pleasant and genuinely appetizing (e.g. cheeses in the armory).
All in all, not a "don't play it while eating" kind of game.
I was utterly invested in the story. It was laugh out loud, over the top, and sometimes horrifying. I saw it all happen. I tasted it. I got hungry and had to take breaks to eat pasta, but then I was eating things in the game--that--I never--thought----
This was a visual masterpiece, a chef's horror and wet dream at the same time.
All results thought out, hints were helpful. I will say that I think the ending had a higher potential for depth than was carried out--but overall I felt almost fully satiated. My brain still craves eating a castle door made of devil's food cake, but alas, we can't always get what we want.
Brilliant piece, brilliant writing.
A grotesque limited parser game about consumption, November 16, 2017
It is a grotesque game; you are a child granted a bottomless pit by a magical character in a fairy tale. You are imprisoned in a dungeon where countless other children have met gruesome deaths.
The game revolves completely around eating, with eating the only real action. Like DiBianca's Grandma Bethlinda's Variety Box, where USE was the only verb, the puzzles in this game revolves around timing and sequence.
I found this game satisfying, and have played it 6 or 7 times.
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This is version 17 of this page, edited by CMG on 21 November 2017 at 2:23pm. - View Update History - Edit This Page - Add a News Item