Foreign Soil

Wade's Important Astrolab
IntroComp 2020 review
In the striking opening scene, the PC is born, messily and with plenty of fluid, of a sarcophagus on an alien planet. Her apparent task: to establish a colony from scratch. It seems a bit pessimistic on the part of her parent civilisation to have preserved its colonists in containers that are basically elaborate coffins, but sarcophagi are certainly cooler than glass tubes. Thus the game starts out well.
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Average Rating: Number of Reviews: 5 Write a review

Most Helpful Member Reviews

I remembered this game when I played it during the competition, but I couldn't remember where. Was I a beta tester? No, I wasn't in the credits.

Then I remembered that this was entered into Introcomp! The author has certainly improved the game since then. Back then, it only had the opening and then an empty crater.

This game has you play as a colonist arriving on a planet. The opening sequence is pretty brilliant, similar to the Ian Finley game Gris et Jaune. Unfortunately for both games, they get a little buggy later.

This game has few big bugs in it, like if you type REMOVE [something] it gives an error message with a space missing.

The game is ambitious, though; even though it's not super long, it has changing time, major modifications to locations, an autonomous NPC, and a (Spoiler - click to show)change in perspective.

If the bugs were fixed, I would give this game a 4 or 5, and I think the author didn't something great and should continue coding.

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(I beta tested this game, so this is less a review than impressions of a version of the game no-one can currently plan, biased both positively by having personal interaction with the author and some investment in the game from doing a tiny bit of work to help it come into existence, and negatively by experiencing the game in a buggier, unfinished state. If after seeing this disclaimer, your reaction is “I don’t see the point of reading this so-called review,” you’re probably right!)

There’s an undeniable romance about making a new home after being shipwrecked, pushing civilization’s light into a heretofore-unlit corner and staking a claim: it’s a heady mélange of self-reliance and creativity, of being tested by a hostile and untamed wilderness without the support of society, and then constituting that society anew. Of course, the historical reality at the root of these fantasies is something else entirely, as it’s not possible to separate them from settler colonialism, given the common tropes they invoke – genocide, land-theft, and the exploitation of indigenous bodies for labor and worse belie the sunny Swiss Family Robinson image (points to Defoe for including the character of Friday in his original novel, making clear exactly how the trick works).

Displacing these fantasies into a science-fictional setting makes a lot of sense, then, as you get to invoke the tropes while starting from a place of relative innocence – with our scene laid at a completely uninhabited planetoid, it’s possible to simply enjoy watching a plucky hero (or in this case, heroine, as yes, I’m finally starting to come around to the game) carve out a settlement. Foreign Soil does have its moments of darkness – given that the protagonist first wakes up alone in a colony ship on the fritz, it’s clear that the life she left behind wasn’t great, and it’s quickly confirmed that we’re in a Botany Bay type situation – but it’s mostly an uncomplicated good time, as you solve some puzzles to wrest power and sustenance out of an unwelcoming hunk of rock.

That wake-up scene is probably the high point of the game, not because Foreign Soil goes downhill sharply, but because it’s a really compelling opening. The main character comes to amidst sleeping coffins, shivering with hibernation sickness and her mind and perceptions disordered. It’s hard to write a scene like this in IF, since you need to convey the character’s disorientation while still giving the player enough concrete information to figure out how to act. The sequence walks this tightrope very well, as the player is kept off-balance and doesn’t have a full sense of what’s going in the scene, but is always told about one salient detail or recent change that should be investigated, giving them a thread to pull to keep moving ahead. The game was an entrant in 2020’s IntroComp, and even though it’d been about a year since I’d last played this bit, I still remembered almost every detail, since it’s so strong.

Once you’ve got your colonist sorted, it’s time to get to the colonizing, and the challenges and puzzles are usually logical and fun to work through. As in the opening, you don’t usually have a complete understanding of what you’re doing – it appears the government that sent you out here isn’t big on briefings or instruction manuals – but the game is usually good at signposting what you should be paying attention to, and progress is typically possible with a little bit of prodding and poking. There are places where the implementation could be a little more robust, though, as a few puzzles flirt with guess-the-verb issues (when I replayed today, less than a month after doing my beta playthrough, it still took me forever to figure out how to fill the water bottle the second time), and there are a few errant typos – stray line breaks, missing spaces, that sort of thing – which is I suppose is primarily an indictment of how well I did my job as a tester.

The prose strikes an engaging tone throughout. I’m having a hard time nailing it down precisely, but I want to call it jauntily cynical, or maybe cynically jaunty? The main character definitely has a personality—I got a good sense of her as brash and determined – and her voice lends color to what could otherwise be a dull environment made of rocky landscapes and generic corridors. Here’s her take on an empty bit of crater, for example:

"This part of the crater gets a lot of sun, so… Ok, all parts of the crater get a lot of sun, and yet: This should be a great place for a vineyard slope! But only if the terraforming works. And even then, probably not for another 1,000 years."

This rough-edged but inviting narration also takes the edge off of death when it arrives, as it is possible to perish from a variety of missteps. It also helps that these deaths aren’t permanent, as they’re considerately rewound as soon as they happen (for a reason that makes sense once it’s ultimately revealed). And indeed, the plot winds up in a surprisingly sweet place that, much like the game overall, worked really well for me. Foreign Soil has room for more polish, it’s relatively slight, and it never manages to top its bravura opening, but if you want to play out an unproblematic colony-seeding narrative, it certainly meets the need.

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Foreign Soil starts strong, with effective writing that clearly establishes the main character’s situation and how they feel about it. Narrative details provide hints about a backstory, and environmental threats offer a sense of danger.

A substantial part of the gameplay involves figuring out what to do next, which makes it tricky to discuss Foreign Soil in a way that doesn’t ruin the experience. I liked how the environment changed around me, creating new locations and updating descriptions as various objectives were completed.

I also appreciated how in-game deaths were handled — the setting is supposed to be harsh and unforgiving, so it needs to show appropriate consequences for risky decisions. The game struck a nice balance that encouraged experimentation while showing how dumb choices will get you killed.

Unfortunately, I got stuck in the middle of the story because I wasn’t willing to take enough risk. I knew where I was supposed to advance the story, but I was reluctant to try different commands that might move things along. After overcoming that hurdle, things flowed logically through the endgame.

Foreign Soil was fun, and my only complaint is that I wish it was a longer experience.

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